Gaming the Medievalist World in Harry Potter.
Evil Medieval: Chant and the New Dark Spirituality of Vietnam-Era Film in America. The Many Musical Medievalisms of Disney. Hope against Fate or Fata Morgana? Music and Mythopoiesis in Boorman’s Excalibur. Faith, Fear, Silence, and Music in Ingmar Bergman’s Medieval Vision of The Seventh Seal and The Virgin Spring. From the Music of the Ainur to the Music of the Voice-over: Music and Medievalism in The Lord of the Rings. Medievalism and Identity Construction in Pagan Folk Music. A Gothic Romance: Neomedieval Echoes of Fin’amor in Gothic and Doom Metal. “Ramble On”: Medievalism as a Nostalgic Practice in Led Zeppelin’s Use of J. Early Music and Popular Music: Medievalism, Nostalgia, and the Beatles. 
Disciplining Guinevere: Courtly Love and the Arthurian Tradition from Henry Purcell to Donovan Leitch.Nature, Reason, and Light in Vision-Aus dem Leben der Hildegard von Bingen.Medievalism and Rued Langgaard’s Romantic Image of Queen Dagmar.Tolling Bells and Otherworldly Voices: Joan of Arc’s Sonic World in the Early Twentieth Century.Miserere: Arvo Pärt and the Medieval Present.The Return of Ars subtilior?: Rhythmic Complexity in the Chantilly Codex and in Selected Twentieth-Century Works.Hucbald’s Fifths and Vaughan Williams’s Mass: The New Medieval in Britain between the Wars.Past Tense: Creative Medievalism in the Music of Margaret Lucy Wilkins.Medievalism and Antiromanticism in Carl Orff’s Carmina Burana.Re-sounding Carl Theodor Dreyer’s La Passion de Jeanne d’Arc.Medieval Folk in the Revivals of David Munrow.
“What England Has Done for a Thousand Years”: Medievalism in Christmas Lessons and Carols Services. Romantic Medievalist Nationalism in Schumann’s Genoveva, Then and Now. Medievalism and Regionalist Identity in Lalo’s Le Roi d’Ys. The Distant Past as Mirror and Metaphor: Portraying the Medieval in Historical French Grand Operas. Soldiers and Censors: Verdi’s Medieval Imagination. From Knight Errant to Family Man: Romantic Medievalism in Brahms’s Romanzen aus L. Medievalisms in Early Nineteenth-Century German Musical Thought.
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